|
Postcards from:
Big Bear Lake USA San Jose Costa Rica Granada Nicaragua Managua Nicaragua San Salvador ElSalvador Tegucigalpa Honduras San Pedro Sula Honduras Copan Ruinas Honduras La Ceiba Honduras Orange Walk Belize Panama City Panama Popayan Colombia Ipiales Colombia Quito Ecuador Galapagos Is. Ecuador Cuenca Ecuador Tumbes Peru Lima Peru Nazca Peru Cuzco Peru Machu Pichu Peru Cuzco Again Lake Titicaca Peru La Paz Bolivia Santiago Chile Valparaiso Chile Easter Island Chile Puerto Montt Chile Castro Chile Coyhaique Chile Puerto Chacabuco Chile Punta Arenas Chile Puerto Natalas Chile Puerto Williams Chile Ushuaia Argentina Buenos Aires Argentina Puerto Iguazu Argentina Montevideo Uruguay Caracas Venezuela PortOSpain Trinidad Georgetown Guyana Paramaribo Suriname Cayenne French Guiana Dominican Republic Back Home in California
|
Hello from the enigmatic lines of Nazca,
Not wanting to travel after dark I chose the 11:20AM Viva
Bus Line service out of Lima scheduled to get into Nazca
shortly after dusk. On the way out of Lima I spotted another replica of
the famous Rio de Janeiro
Cristo
Redentor statue on a distant hill; I'm wondering if the same
Brazilian artist is responsible for all the copies. Later about halfway
to Nazca we came upon a vast desert expanse covered with tiny homestead
shacks made from poles and reed mats that reminded me of the US
governments give-away program in Apple Valley California a half century
ago. To gain permanent title to the land each homesteader needed to
erect a dwelling containing a minimum of about 200 square feet, the
majority of the buildings consequently were that size, just as they were
on this Peruvian plain. Another passenger on the bus confirmed these
were indeed dwellings, though I could see little signs of habitation.
The bus arrived in
Nazca
on schedule and stopped for departing passengers on the Pan-American
Highway at the edge of town. A short walk got me into the city center.
Several hotels are immediately visible and three locals recommended the
Hotel Nazca Lines. At $56 it is a good value and one of the three
"best hotels in town." The hotel offers free Internet access
and I filled some of my leisure hours sitting before the glowing screen.
This is a town that lives on tourism, though all of the
rambunctious teenage activity in the evenings gives a different
impression. While the central streets are paved, others are not and a
block or two off the main street clouds of dust gust so often the little
army of eager shoe shine boys are kept busy with their thirty cent
services. The central Plaza de Armas is being renovated and a
construction curtain surrounds the entire block. Curious people have cut
viewing holes in the cloth allowing the obscured work to be inspected.
It will be mostly one large concrete slab with numerous concrete
planters... underwhelming.
During my walks into the areas surrounding the developed
part of the town I found myself challenged by many nervous dogs, all of
which wanted to alert their owners to my passing. Along the graded dirt
roads I see rows of adobe structures and walls. The smells of cooking
fires laced with a strong hint of burning corn meal followed me along
the dusty road. Farmers worked their land and livestock stood idly in
the shade of trees within the adobe enclosures. Some 5 or 6 kilometers
east of the town in a desolate area I found the actual "best"
hotel in Nazca: the elegant
Hotel Cantayo. Located in a secluded area,
it is very private and very expensive with rooms rates starting at $125. Surrounded
by dusty farms and adobe it appears to have been built within the
ruins of an old monastery. The contrast between the squalor outside the
high walls and the opulent Spanish colonial splendor inside is striking.
Much of my time was spent trying to understand the options
for transportation up to Cuzco. There are no flights to anywhere...
except for the over flights to see the Nazca Lines themselves, of course.
All of the many bus services start their runs for any distant city in
the late afternoon or evening... not something I enjoy. In the end I
decided a 14 hour ride through the night over mountains would be a
better choice than a seven hour ride back to Lima with another hotel
stay there before catching a flight to Cuzco.
Naturally, the main reason anyone comes to Nazca is to see
the "Nazca Lines." At ground level not much is visible other
than large patches of the surface which seems to have been swept clean
of sand revealing the underlying contrast of a rocky surface. A few
kilometers north of town an observation tower has been erected from
which several of the more interesting artifacts are easily visible.
However, the only practical way to see the full scope of the ancient
efforts is to take a flight in one of the small planes. Several
companies offer half hour flights over the plain containing the strange
archaeological relics. Our tiny craft held three passengers and the
pilot. The $40 cost of my half hour over flight included transportation
to and from the airport and a welcome
Pisco Sour drink. That flight made
the whole trip to Nazca worthwhile. Most of the photos I took from the
air lacked adequate contrast to make out the existence of hundreds of
lines crisscrossing the plain below. Fortunately, the software I use to
process the camera images allows for enhancement and using that produced
startling results easily missed with the naked eye.
So, what do I think happened here? An initial impression
suggests the doodle pad of a bored executive or the pen cleaning sheet
used by a 1950's draftsman working in ink. Thousands of lines and
features, many "drawn" on top of others, stretch over the Peruvian
Pampa. Most are merely very long straight lines. Only a few dozen
elaborate representations of recognizable subjects can be seen in the
jumble. It occurred to me all this work might be the result of
prehistoric teenage graffiti artists, each trying to outdo the others.
One spiral design might be a representation of an actual engineering
solution to getting people down to the water level of
wells
in those early days. A spider, a hummingbird, a monkey, a lizard are
all obvious designs easily discernible, but the majority of the drawings
represent nothing obvious... just long straight lines intersecting one
another, apparently drawn at random. A good deal of serious analysis
and research
into the origin and
meanings
of the Nazca Lines has been conducted, in addition to numberless
speculations
by amateur archaeologists and screwballs. I'm glad I made the side trip
to this mysterious place; the ol' knee needed more time to heal before
tackling Machu Picchu anyway.
I finished
reading
Anton
Chekhov's short story,
The
Party. It is an intimate look into the lives
of the Russian aristocracy in the 1800's. The sensitive portrayals of
his characters and masterful development of a simple plot make it clear
why his work has gained classic stature. As I think about the effect reading
all these old classics has had on me I see a connection with traveling
widely. Travel broadens my understanding of our contemporary world and
societies; reading deepens my appreciations of the contributions made by
earlier eras and cultures. The combination is symbiotic.
Photos taken while in and over Nazca Peru are
here. Peace, ![]() Nazca Lines Peru: Rendition of the most famous of the Nazca Lines - The Hummingbird. Art on the wall of the Airline office lobby.
|
|
![]() My excellent $5/mo web-host Reference photo August 2002 |
|